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A running index of the chapters, essays, and dispatches behind every Styx piece, on craft, on transparency, on why the weight in your hand is worth what we say it is.
SHOWING · 15 / 15
№ 02
The Almanac
Understanding Gold Karats
Most jewelers want you confused about karats. The truth is simple math, here's what it means for the chain around your neck.
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8 min
№ 03
The Catalog
Vol I
The Cuban Link
The chain that defined hip-hop, born from a Cuban jeweler's hands on a Calle Ocho workbench.
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6 min
№ 04
The Catalog
Vol I
The Franco
An Italian engineering marvel, interlocking V-shaped links that flex without ever kinking.
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4 min
№ 05
The Catalog
Vol I
The Curb Link
The oldest link geometry in existence, unchanged for 4,600 years because nothing improves it.
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5 min
№ 06
The Catalog
Vol I
The Figaro
Three short links, one long, the rhythmic Italian pattern that broke every design rule.
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5 min
№ 07
The Catalog
Vol II
The Rope Chain
Two helical strands wound tight, the chain that catches light from every angle.
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4 min
№ 08
The Catalog
Vol II
The Wheat (Spiga)
Interlocking teardrop links woven into a pattern that mirrors the wheat sheaf it's named for.
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5 min
№ 09
The Catalog
Vol III
The Cable Chain
The simplest geometry in jewelry, uniform oval links, alternating orientation, infinite elegance.
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4 min
№ 10
The Catalog
Vol III
The Rolo Chain
Symmetrical round links with a flat interior face, built for weight you can feel.
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4 min
№ 11
The Catalog
Vol III
The Singapore
Braided curb links twisted into a diamond-cut helix that sparkles with every movement.
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4 min
№ 12
The Catalog
Vol IV
The Herringbone
Slanted flat links pressed together into a fluid, mirror-finish ribbon of gold.
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4 min
№ 13
The Catalog
Vol IV
The Snake Chain
Interlocking wavy plates forming a smooth, round tube, sleek as the creature it's named for.
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4 min
№ 14
The Catalog
Vol IV
The Box Chain
Square links connected at right angles, the most structurally rigid chain ever designed.
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4 min
№ 15
The Catalog
Vol IV
The Paperclip
Elongated oval links inspired by a wartime symbol of resistance turned modern minimalism.
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4 min
Letter from the Editor
We keep this journal the way we keep the ledger: plainly, in daylight, and with every number you’d want to see. If you ever wonder why a chain costs what it costs, or where a weave came from, the answer is probably somewhere on this page.
, A. Demetrios, Founder